


Publications
Books, exhibition catalogues, essays and articles, arranged by year. Select a title with an arrow to find the publication.
Books and catalogues

Matisse and the Sea
2024 · Editor

German Expressionism: Paintings at the Saint Louis Art Museum
2024 · Contributor

Monet/Mitchell: Painting the French Landscape
2023 · Author and editor

Reckoning with Millet’s “Man with a Hoe,” 1863–1900
2023 · Contributor

Robert Motherwell: Pure Painting
2023 · Contributor

Léon Monet, frère de l’artiste et collectionneur
2023 · Review

Le Décor impressionniste
2022 · Contributor

Oliver Lee Jackson
2022 · Contributor

Théodore Rousseau and the Rise of the Modern Art Market
2021 · Author

A Companion to Impressionism
2021 · Contributor

Millet and Modern Art: From Van Gogh to Dalí
2019 · Co-editor with Maite van Dijk

Inspiration Matisse
2019 · Contributor

Kehinde Wiley: Saint Louis
2018 · Co-editor with Hannah Klemm

Degas, Impressionism, and the Paris Millinery Trade
2017 · Co-editor with Esther Bell

Max Beckmann
2016 · Contributor

Inventing Impressionism: Paul Durand-Ruel and the Modern Art Market
2015 · Contributor

Impressionist France: Visions of Nation from Le Gray to Monet
2013 · Co-author with April M. Watson

Becoming Van Gogh
2012 · Contributor

Monet’s Water Lilies: The Agapanthus Triptych
2010 · Author

Untamed: The Art of Antoine-Louis Barye
2006 · Co-author with William R. Johnston
Essays and articles
- 2022“Monet’s Grandes Décorations”Le Décor impressionniste, Musée d’Orsay and Musée de l’Orangerie
- 2021“‘Plume Mania’: Degas, Feathers, and the Global Millinery Trade”A Companion to Impressionism, ed. André Dombrowski, Wiley Blackwell
- 2019“‘My four best series’: Monet’s Panorama at the Hôtel Biron”Monet: The Late Years, ed. George Shackelford, Fine Arts Museums of San Francisco and Kimbell Art Museum, pp. 46–61
- “Matisse, Osthaus und die Badenden mit Schildkröte (1908)”Inspiration Matisse, Kunsthalle Mannheim and Prestel, pp. 82–87
- 2018“Kehinde Wiley and the Critique of Empire”Kehinde Wiley: Saint Louis, Roberts Projects, pp. 8–13
- 2017“Life at the Top”The Magazine Antiques
- 2016“‘The Great Revolution’: Van Gogh, the Barbizon School and Constructing an Avant-Garde”Van Gogh: Into the Undergrowth, Cincinnati Art Museum, pp. 23–42
- “Barbizon Painting”Oxford Bibliographies in Art History, ed. Thomas DaCosta Kaufmann, Oxford University Press
- PrefaceMax Beckmann at the Saint Louis Art Museum: The Paintings, Lynette Roth, pp. 8–11
- 2015“Paul Durand-Ruel and the ‘Belle École’ of 1830”Inventing Impressionism, National Gallery, London and Yale University Press, pp. 54–75
- 2014“Van Gogh’s Repetitions”The Burlington Magazine, May 2014
- “‘A Wonderful Man and Teacher’: Max Beckmann as Instructor and the Role of Still Life”Max Beckmann: The Still Lifes, Hamburger Kunsthalle and Prestel, pp. 66–77
- “Neo-Impressionist Arcadia”Neo-Impressionism and the Dream of Realities, The Phillips Collection and Yale University Press, pp. 121–142
- 2013“Daubigny et Monet : le paysage de rivière, un produit commercial”Éblouissants reflets, Musée des Beaux-Arts de Rouen, pp. 34–41
- 2012“‘A big, good enterprise’: Vincent van Gogh and His Markets”Becoming Van Gogh, Denver Art Museum and Yale University Press, pp. 55–70
- “Paul Signac, The Seine at Herblay, Opus 204”Selections from the Santa Barbara Museum of Art, ed. Eik Kahng
- 2011“What Market for Manet?”Manet, the Man Who Invented Modernity, Musée d’Orsay, pp. 57–70
- 2010Review of “The Lens of Impressionism”Nineteenth-Century Art Worldwide 9, no. 1
- 2009“Jean-François Millet’s Waiting: A ‘Realist’ Religious Painting”The Burlington Magazine CLI, pp. 298–305
- “Re-Viewing Landscape”Oxford Art Journal 32, no. 2, pp. 316–321
- 2008“‘The Mystery of the Forest’: Paintings of Fontainebleau at the Salon”In the Forest of Fontainebleau, National Gallery of Art, Washington and Yale University Press, pp. 140–151
- 2007“‘The Victory of Modern Art’: Landscape Painting in Mid-Nineteenth-Century France”Renoir Landscapes 1865–1883, National Gallery, London and Yale University Press, pp. 18–31
- “Strategies of Repetition: Millet/Corot”The Repeating Image in French Painting from David to Matisse, Walters Art Museum and Yale University Press, pp. 53–82
- 2006Review of “Corot. Naturaleza, Emoción, Recuerdo”The Burlington Magazine, May 2006
- 2004“Early Patrons of the Barbizon School: The 1840s”Journal of the History of Collections 16, no. 2, pp. 161–172
- 2003“‘This Dangerous Game’: Rousseau, Diaz and the Uses of the Auction in the Marketing of Landscapes”Soil and Stone: Impressionism, Urbanism and Environment, Ashgate, pp. 33–48
- “The Barbizon School in Lyon”Apollo, February 2003, pp. 45–46
- 2000“The Patronage of Frédéric Hartmann and the Question of ‘Finish’”The Burlington Magazine CXLII, pp. 549–560
Nelson‑Atkins Museum of Art, French Paintings and Pastels, 1600–1945
Catalogue entries on nineteenth‑century Realist and Barbizon paintings, 2021–2023.
- Constant Troyon, Cattle Pasture in the Touraine, 1853↗
- Charles-Émile Jacque, Sheep at the Watering Hole, ca. 1888↗
- Jean-François Millet, Waiting, ca. 1853–1861↗
- Narcisse Virgile Diaz de la Peña, The Approaching Storm, 1872↗
- Jean-Baptiste-Camille Corot, View of Lake Garda, ca. 1865–1870↗
- Edouard Manet, The Croquet Party, 1871↗